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Michael Schulman on the Writers’ Strike, and Samantha Irby with Doreen St. Félix

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Manage episode 363185382 series 94072
Content provided by WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://cloudutil.player.fm/legal.

The last time the Writers Guild of America hit the picket line was fifteen years ago, with a strike that lasted a hundred days and cost the city of Los Angeles hundreds of millions of dollars. This year’s strike has the potential to drag on even longer. At the core of the dispute is the question of who deserves to profit from the revenue generated by streaming services. “[Studios] tell us that they can’t afford the cost of us,” Laura Jacqmin, a veteran TV writer and a W.G.A. strike captain tells the staff writer Michael Schulman. “And simultaneously they’re on their public earnings calls, trumpeting bright financial futures to their shareholders.”

Plus, the comedian and essayist Samantha Irby talks with the staff writer and critic Doreen St. Félix. Irby is beloved by fans for her particularly unvarnished truth-telling. She recently started writing for television on shows like Hulu‘s “Shrill” and HBO’s “And Just Like That . . .,” the “Sex and the City” reboot, which returns for a second season in June. But she has also maintained her memoir-writing practice, and is out with a new essay collection, “Quietly Hostile,” in May.

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760 episodes

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Manage episode 363185382 series 94072
Content provided by WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://cloudutil.player.fm/legal.

The last time the Writers Guild of America hit the picket line was fifteen years ago, with a strike that lasted a hundred days and cost the city of Los Angeles hundreds of millions of dollars. This year’s strike has the potential to drag on even longer. At the core of the dispute is the question of who deserves to profit from the revenue generated by streaming services. “[Studios] tell us that they can’t afford the cost of us,” Laura Jacqmin, a veteran TV writer and a W.G.A. strike captain tells the staff writer Michael Schulman. “And simultaneously they’re on their public earnings calls, trumpeting bright financial futures to their shareholders.”

Plus, the comedian and essayist Samantha Irby talks with the staff writer and critic Doreen St. Félix. Irby is beloved by fans for her particularly unvarnished truth-telling. She recently started writing for television on shows like Hulu‘s “Shrill” and HBO’s “And Just Like That . . .,” the “Sex and the City” reboot, which returns for a second season in June. But she has also maintained her memoir-writing practice, and is out with a new essay collection, “Quietly Hostile,” in May.

  continue reading

760 episodes

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