Manage episode 278956753 series 2458701
Lovely and solemn, “Life Lives Inside” is a hymn-like waltz that seems to flow from the depths of that timeless, intuitive place from which the great songs emerge. The melody has the majestic clarity of ages-old folk music, while the easy-going setting is scrupulously presented, but in a way that seems offhand and unfettered–just two people singing, with instruments so casually calibrated as to seem all but undetectable.
With a two-line verse that repeats only once, sung by Perlin alone, “Life Lives Inside” is almost all chorus. And a terrific chorus it is, with two expressive parts, presented in same-note male-female harmonies, Rob Ouseley buzzing low below Perlin’s affecting lead. The swaying rhythm conjures the song’s ocean-bound setting; the finely crafted lyrics hide and convey in equal measure, the words important as sounds as much as message. To my ears, as an example, the power of the couplet “We gave what we could/We couldn’t give more” is as dependent upon the pattern of its carefully repeated words as its poignant sentiment.
“Life Lives Inside,” for all its apparent simplicity, rewards many listens. As you travel through the song again you’ll notice a number of wonderful moments, such as Perlin’s evocative uplift on the word “eye” (0:39), and the wonderful hesitation she builds into the phrase “like nothing I’d heard” (1:46). The quiet instrumentation alone is worth an attentive ear, including the steady muted keyboard underscoring the chorus, with its occasional quiet run of right-hand countermelody, and the gorgeously curated percussion, involving nothing that sounds like a drum kit but rather a well-placed assortment of knocks, snaps, and claps.
Flo Perlin is a London-based singer/songwriter; Pilgrims’ Dream is the performing name employed by singer/songwriter/producer Ouseley, likewise in London. The two met at an open mic five years ago; they wrote and recorded “Life Lives Inside” in Perlin’s living room. The song was released earlier this month and appears to be their only collaboration to date. I for one would eagerly hear more from them.