The Gramophone Magazine Podcasts

The soprano Maria Callas was born on December 2, 1923, and during her short life – she died aged 53 – rose to become one of the most celebrated singers of all time. And even 46 years after her death she remains a unique and unassailable figure in the world of opera and its interpretation. She left a substantial recorded catalogue – both commerciall…

Composer Errollyn Wallen speaks to Hattie Butterworth about her new book, out now on Faber, mapping her trajectory as an artist, extensive recordings and philosophy on life. Errollyn Wallen: Becoming a Composer Check out Deutsche Grammophon STAGE+ Music clips used: Cello Concerto from 'Photography' on NMC horseplay: lively from 'The Girl in My Alph…

Composer John Pickard joins the Gramophone Podcast this week to talk to Editor Martin Cullingford about his new album, Mass in Troubled Times, available on the BIS label.

Bertrand Chamayou, who won Gramophone's Recording of the Year in 2019 for his Erato album of two Saint-Saëns piano concertos, has turned his attention to two groundbreaking composers. John Cage was a great admirer of the music and aesthetic experiments of the Frenchman, Erik Satie - and Chamayou has created a programme for Erato that links the two,…

The music critic and regular Gramophone contributor Richard Bratby has just published a history of the Academy of Ancient Music, Refiner's Fire, the first book telling the story of a period-instrument ensemble (Elliott & Thompson; £25). James Jolly spoke to Richard about the book, about its charismatic founder and long-serving Music Director Christ…

This week's Gramophone Podcast explores the music by Gabriel Fauré for cello and piano to coincide with a beautiful new recording by Xavier Phillips and Cédric Tiberghien on La Dolce Volta - and the cellist and pianist join Editor Martin Cullingford to discuss it.

This week's topic is a new recording by Brecon Baroque of Bach's Goldberg Variations in a fascinating new arrangement by Chad Kelly who, together with violinist Rachel Podger, joins Editor Martin Cullingford to talk about it. This week's Podcast is published in association with Wigmore Hall.

Miloš's new album is a journey of music around the continent of Europe in the era of the Baroque, and is named an Editor's Choice in the current issue of Gramophone. Editor Martin Cullingford met up with the guitarist to talk about the story behind this beautiful recording, which is available on the Sony Classical label.…

In this week's Gramophone Podcast we meet with Swedish violinist Johan Dalene, a former Gramophone Young Artist of the Year. He joins Editor Martin Cullingford to talk about his new release on the BIS label, 'Stained Glass', recorded with pianist Christian Ihle Hadland – a beautifully-performed programme of Ravel, Prokofiev, Pärt, Bacewicz and Boul…

In this special edition of the Gramophone Podcast, we explore the full list of winners from this year's Gramophone Classical Music Awards. Editor-in-Chief James Jolly, Editor Martin Cullingford and Deputy Editor Tim Parry talk through the Category Winners, the Special Awards, and of course the new Recording of the Year - complete with excerpts of e…

The complete piano trios of Dvořák is the topic this week, as Editor Martin Cullingford catches up with pianist Boris Giltburg, violinist Veronika Jarůšková and the cellist Petre Jarůšek, who have just recorded them for Supraphon.

Jeremy Eichler's new book, Time's Echo, just out from Faber (HB; £25) tangles with memory – what we choose to remember, what to forget – as history takes hold, and he argues that music can become in many ways the most powerful form of memorial. To illustrate this argument, he engages with works by Richard Strauss, Arnold Schoenberg, Dmitri Shostako…

The conductor William Vann discusses his superb new Chandos Records release of Parry's Prometheus Unbound, Gramophone's Recording of the Month, with Editor Martin Cullingford.

In a series of four Decca Icons podcasts, Gramophone's James Jolly explores the artistry of four major recording musicians with Rob Cowan, Jed Distler and Richard Fairman. Focusing on recordings in the Decca catalogue, the series turns the spotlight on Bernard Haitink, Vladimir Ashkenazy, Sir Georg Solti and, this week, Benjamin Britten. Each podca…

The latest in our series of composer podcasts focusses on Dmitri Shostakovich. Edward Seckerson joins Gramophone Editor Martin Cullingford to share his insights with us into one of the greatest of 20th-century musical figures, with a particular focus on his extraordinary symphonies and what they reveal about his life.…

In this third in our series of Decca Icons podcasts, James talks to the critic and broadcaster Rob Cowan about the Hungarian-born Sir Georg Solti who made his first recording for Decca in 1947 and remained a Decca artist until his death in 1997, leaving an extraordinary recorded legacy. The podcast is accompanied by a special Apple Music playlist w…

Jennifer Higdon wrote her Concerto for Orchestra for the Philadelphia Orchestra and its then-Music Director Wolfgang Sawallisch who gave the work its premiere in 2002. Since then it's been recorded by the Atlanta Symphony and, on a new Naxos album just out, by the Houston Symphony - both conducted by Robert Spano. The new recording finds the Concer…

Rachel Barton Pine's new album pairs Shostakovich's Violin Concerto No 1 with a new work by Earl Maneein called Dependent Arising, a heavy metal-influenced concerto written especially for her. In this week's Gramophone Podcast the violinist tells Editor Martin Cullingford about the recording, and explores some of the links between the two genres of…

In a series of four Decca Icons podcasts, Gramophone's James Jolly explores the artistry of four major recording musicians with Rob Cowan, Jed Distler and Richard Fairman. Focusing on recordings in the Decca catalogue, the series turns the spotlight on Bernard Haitink, Vladimir Ashkenazy, Sir Georg Solti and Benjamin Britten. Each podcast is accomp…

In the latest Podcast Gramophone Editor Martin Cullingford caught up with the multi Award-winning composer Tan Dun to explore his new work, Buddha Passion, available on Decca, and to hear his fascinating thoughts on composing, conducting and on music in general.

Hyperion Records, one of the most admired and successful of specialist classical music labels, is from today available on streaming services. The entire catalogue will be uploaded in stages over the next year, but the initial 200 albums released today feature every Hyperion recording to have received a Gramophone Award – and from that illustrious l…

In a series of four Decca Icons podcasts, Gramophone's James Jolly explores the artistry of four major recording musicians with Rob Cowan, Jed Distler and Richard Fairman. Focusing on recordings in the Decca catalogue, the series turns the spotlight on Bernard Haitink, Vladimir Ashkenazy, Sir Georg Solti and Benjamin Britten. Each podcast is accomp…

This week’s Podcast is another special long-length edition, for which Editor Martin Cullingford is joined by Rob Cowan, Gramophone’s expert on historic and archive recordings and the author for 30 years now of our monthly feature devoted to the area, Replay. Why should we listen to historic recordings? What can we learn from them, and which artists…

Following five acclaimed albums with the LSO and JoAnn Falletta for Naxos, the composer Kenneth Fuchs has released a new collection of his orchestral works with John Wilson's Sinfonia of London. Recorded at St Augustine's, Kilburn, in North London, by Chandos, the collection has just been issued. James Jolly caught up with Kenneth Fuchs just before…

Gramophone's Orchestra of the Year is the only award voted for by our readers and music lovers worldwide. Each year, the magazine's editors produce a short list of 10 ensembles whose music-making, particularly on record, has made a particularly strong impression on our critics. In the second of two podcasts, Gramophone's Editor-in-Chief, James Joll…